Abstract

This article looks at the emergence of romance as a viable literary device in Hebrew literature in the 1990s, especially in the works of young writers who used the privacy of romantic coupling as an escape from the more national thematics of previous literary generations. Historically, modern Hebrew works paid little attention to romance, certainly in comparison to the ubiquity of romantic love in other contemporary, nineteenth century European literatures. In Hebrew literature, romance played a secondary role that was usually subordinated to communal, Jewish and later Zionist concerns. During the 1980s, however, especially after the first Intifada in 1987, this dynamic began to change. The article examines this change in the works of Etgar Keret as a representative voice of a new Israeli cultural generation.

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