Abstract
This four-part choral setting of a Holy Sonnet by John Donne is based on an unusual twelve-tone series (with some notes omitted and others repeated). The two different kinds of music in the passage—canons and chords—represent the human poet and God.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callSimilar Papers
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
