Abstract
ABSTRACT Nishida’s and Merleau-Ponty’s “perceptual ontologies” lead to other notions of self, spirituality, and faith, bringing out the distinctive and comparable religious paths of Buddhism and embodied phenomenology entered by deepening the prereflective openness to the world’s “voices of silence.” Loughnane’s study highlights how Nishida’s and Merleau-Ponty’s turn towards a series of artists in their respective cultural contexts brings out the particular groundedness in the materiality of the beings of the world in this “mutual interexpressivity” or “reversibility.” Faith is revisioned as the dropping of egoistic control to allow perception to be carried into the depths of the world of spiritual hearkening.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
