Abstract
The purpose of this article is to make explicit the keys of the prose texts of Ricardo Molina in Cántico. Current research about the poets in «Cántico» require setting limits to discover the origins of a possible group poetics and to define their impact in the 20th century up until today. Intimacy, aestheticism and the desire for perfection are key in the poetics that Molina reveals through the short essays from «Uriel», and they highlight the influences and references of the «Cántico» poets, shedding light on possible connection between his poetry and Luis de Góngora.
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