Abstract
The subject of the article is the museum as a space of memory and reflection on the processes of dehumanization. The examples chosen are of the so-called memory or Nevermore patrimony. This type of cultural heritage does not have the objective of simply displaying objects, nor is it aimed at valuing aesthetics; above all, it serves as a mirror of ethics, morality, the examination of conscience, the suffering of the Other, civilization and barbarism.
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