Abstract
This essay offers an analysis of the phantoms that appear in several plays by Itziar Pascual ( Fuga , El domador de sombras, Blue Mountain, La paz del crepusculo, Pere Lachaise, Despedida, Mascando ortigas y Variaciones sobre Rosa Parks ). There is a relationship between the presence of these spectral characters in theatre, the recovery of memory and the construction of personal and collective identity.
Highlights
This essay offers an analysis of the phantoms that appear in several plays by Itziar Pascual (Fuga, El domador de sombras, Blue Mountain, La paz del crepúsculo, Père Lachaise, Despedida, Mascando ortigas y Variaciones sobre Rosa Parks)
There is a relationship between the presence of these spectral characters in theatre, the recovery of memory and the construction of personal and collective identity
La presencia de fantasmas responde en muchos casos a una necesidad diferente a la que pudo animar a los autores de las obras previamente citadas a introducir en sus textos figuras extraordinarias
Summary
This essay offers an analysis of the phantoms that appear in several plays by Itziar Pascual (Fuga, El domador de sombras, Blue Mountain, La paz del crepúsculo, Père Lachaise, Despedida, Mascando ortigas y Variaciones sobre Rosa Parks).
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