Abstract
This essay offers an analysis of the phantoms that appear in several plays by Itziar Pascual ( Fuga , El domador de sombras, Blue Mountain, La paz del crepusculo, Pere Lachaise, Despedida, Mascando ortigas y Variaciones sobre Rosa Parks ). There is a relationship between the presence of these spectral characters in theatre, the recovery of memory and the construction of personal and collective identity.
Highlights
This essay offers an analysis of the phantoms that appear in several plays by Itziar Pascual (Fuga, El domador de sombras, Blue Mountain, La paz del crepúsculo, Père Lachaise, Despedida, Mascando ortigas y Variaciones sobre Rosa Parks)
There is a relationship between the presence of these spectral characters in theatre, the recovery of memory and the construction of personal and collective identity
La presencia de fantasmas responde en muchos casos a una necesidad diferente a la que pudo animar a los autores de las obras previamente citadas a introducir en sus textos figuras extraordinarias
Summary
This essay offers an analysis of the phantoms that appear in several plays by Itziar Pascual (Fuga, El domador de sombras, Blue Mountain, La paz del crepúsculo, Père Lachaise, Despedida, Mascando ortigas y Variaciones sobre Rosa Parks).
Sign-in/Register to view highlights & summary Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callMore From: Brumal. Revista de investigación sobre lo Fantástico
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
