Abstract
In the rigor of the museum practices, among them restoration, dilemmas, contradictions and the aporia that implies a constant revision of its logics, this article consists of thinking from the visual and the problems of aesthetics, possible ideological articulations that materially resolve other ways of conceiving the museum object and its intervention within the field of restoration, using anatomical recombination as a formal and conceptual exercise. The marginal fragments call the text as a reflection on the processes of recombination as visual work.
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