Abstract
We present to the scientific community a new canvas of the not-well known Sevillian painter Jeronimo de Bobadilla, signed and dated in 1684, and currently held at the Carmen de Maipu Museum in Santiago de Chile. In addition to enriching and enlarging the catalogue of one of the unknown Sevillian painters of the Baroque era, we will analyze the originality of its iconographical program: the offering of the hearts of creole and indigenous donors to the Five Lords, a syntax of the Holy Family, scarcely present in Spain, but not so unusual in the New World.
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