Abstract
This article examines the work of four documentary photographers: Gordon Parks, Helen Levitt, Walter Rosenblum and Jerome Liebling. During the late-1930s and 1940s, they photographed, in unique ways, the children and adolescents living in New York City. Their distinctive forms of street photography explore a subterrain of attitudes about child behaviour in an urban environment. The study is based upon interviews conducted by the author and a close examination of the work of the photographers.
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