Abstract
This paper analyses the scheme of imagery designed in about 1638 by Christopher Wren, dean of Windsor, for the chancel of East Knoyle parish church in Wiltshire. While Wren's close association with Lancelot Andrewes and the Laudian circle makes this scheme understandable as ‘Laudian’, its particular combination of picture and text accommodated a broader range of beliefs. The study of the theological content of the scheme, and of its intended manner of reception, sheds new light on the function of imagery within the pursuit of the ‘beauty of holiness’, drawing attention to the role it could play in establishing an active understanding of the liturgy.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
