Abstract
This article focuses on Watchlist, a new play written by Alex Vickery-Howe, placing it in a context of contemporary Australian political writing for the stage which sees playwrights, such as Stephen Sewell and Suzie Miller, adopt an international outlook in order to tell stories of activism. By creating nuanced characters and engaging with the popular, these playwrights are inspiring activism in their audiences in engaging and challenging ways, arguing that what is deemed off-limits should not be left off-stage.
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