Abstract
Bell ringing in Britain has featured in sociohistorical studies, but it has never been analyzed in detail as a variety of mass spectacle. The practice takes especially interesting forms in London, a city where the ringing of church bells has been part of everyday life for centuries. Grounded in physics, economics, and human geography, ringing is a unique kind of immersive site-specific performance, whose significance is best understood through pivoting to topography and history.
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