Abstract
This article attempts a comparative critique of interdisciplinary cultural analysis in the US and Central Europe. It tries to sketch out the different points of departure and methodological approaches used in American and British cultural studies on the side, and in German Kulturwissenschaften (cultural sciences) on the other side. Furthermore it is asked in which ways the critical political impetus of cultural studies can be made productive for the further advancement of Kulturwissenschaften, and how they could perform an innovative role for the understanding of problems posed by the current political and social situation in Central Europe.
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