Local water bodies and the threat of Slow Violence in Subhash Vyam’s Water

Abstract

ABSTRACT The developmental projects like dams and other capitalist structures in India, allocate the natural water reserves to elite industrialists and state apparatuses, leaving the local ecosystems impoverished and in the hands of capitalism driven policies, which milk the indigenous population to mollify the materialistic needs of the affluent. This predicament is vividly illustrated in Subhash Vyam’s graphic narrative Water that employs the traditional Gond Art to anchor the consequences of the ‘Slow Violence’ rendered to the local ecosystems owing to the development policies. As the revered natural sources of water in Vyam’s village are regulated through a dam, the rural Indigenous community is deprived of its basic rights to survive, vandalising the pious ‘human-water’ relationship, resulting in ‘a serious ecological crisis’. Drawing theoretical insights from Rob Nixon, Ramachandra Guha and Vandana Shiva, the proposed paper attempts to emphasize that the graphic narrative Water, through its remarkable graphic visuals, conjoined with local customs and folklores, is a reflection of the agony of the indigenous communities. Further, the paper analyses the grim reality that privatisation not only leads to exploitation and consequent depletion of the natural resources, but also robs the local communities of their ways of survival and resource sharing practices.