Lizzo’s intersectional visibility politics: contesting colonial beauty standards and dismantling the white heteropatriarchal gaze

Abstract

ABSTRACT The body positive movement—which initially set out to positively represent, humanize, and liberate fat, nonnormative, and multiply marginalized bodies—has been co-opted, commodified, and depoliticized. For the movement to have any chance of returning to its radical fat activist roots, it must shift to center intersectionality in both the forms of rhetorical labor engaged by body positive rhetors as well as the bodies on and through which body positive rhetoric gains visibility. Using popular hip-hop artist Lizzo as a timely and illustrative example, this essay suggests that intersectional visibility politics are central to the political viability and decolonial worldmaking potential of body positivity. I analyze the ways in which Lizzo’s celebrity persona engages two forms of rhetorical labor that recenter the body positive movement back onto multiply marginalized bodies like hers and envision the possibility of a fat-positive world: (1) assemblaging the big butt and the fat, Black body, and (2) resisting dominant gazing and representational practices through performances of feeling herself. In doing so, I theorize intersectional assemblaging and feeling herself as two rhetorical maneuvers of intersectional visibility that reclaim power, agency, and humanity outside of the terms offered by coloniality and the white heteropatriarchal gaze.