Abstract
ABSTRACT The systematic disappearance of individuals is very much a global phenomenon. In Pakistan, this phenomenon re-emerged after Pakistan decided to get involved in the U.S.-led ‘war on terror’ in the wake of 9/11. This paper exposes the politics of necropolitics in Pakistan through art, as death plays a significant role in setting up a political change. I contend that Ramla Fatima’s artworks put a human face to death and speak truth to power, to draw on Foucault, interlinking death with politics to expose the hiding and camouflaging of death in Pakistan. Fatima’s artworks represent another episode of the genocide continuum in Pakistan – the unending enforced disappearances and the sufferings of the families of the laapata – the disappeared. By painting necropolitics, she transgresses the silencing culture, a legacy of enforced disappearances. Through art, she illustrates how victims and their families are condemned to a state of subalternity and ambiguity – ambiguous loss, slow violence and torture, and psychological scars. Her artworks also draw attention to the role of expressive art in evoking awareness of human rights violations and establishing the fact that the laapata’s lives matter.
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