Abstract
When you study the work of one and the same artist, it is not always easy to differentiate and organize publications resulting from an involvement in an experimental and revolutionary art with a wider trajectory, where the figure of the artist helps to sell (books), or else becomes secondary, making room for the career of an intellectual figure. This issue gradually appears when one reads two books, one devoted to Andy Warhol’s publications, and the other to those of Dick Higgins. Without bei...
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