Abstract

This paper draws upon interviews with 27 drag kings in the South to examine why individuals perform drag, the range of performance experiences, and how drag kinging challenges dichotomous ideas about gender. We use these interviews to demonstrate the importance of context in understanding the drag king culture. We clearly show that in the South the performance of masculinity in the form of drag differs from other areas of the country. Our findings indicate that Southern drag kings, in general, do not overtly challenge the gender status quo as previous research assumes. Rather, they turn to drag as a safe and fun outlet for female masculinity and as a place to test the waters of transsexuality. Despite their often individualistic rationales, we argue that the act of performing drag still challenges the gender order and enables others to engage in political thought and push for change in our society.

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