Abstract

This paper evaluates late nineteenth and early twentieth-century definitions of idealized childhood through an analysis of the rapid rise and fall of Frances Hodgson Burnett’s Little Lord Fauntleroy . The 1886 novel of a British-born and American-bred author, Little Lord Fauntleroy tells the story of an American-raised child whose British grandfather suddenly calls him to England to become an earl. Fauntleroy’s initial popularity, the paper argues, can be credited to his embodiment of concepts of innocent childhood found in lingering constructions of the Romantic child still flourishing on both sides of the Atlantic. The essay explores how in the early twentieth-century United States, such ideals came to be considered threats to nationalism because they smacked of an allegedly degenerate effeminacy caused by over-civilization. Though the infamously frilly Fauntleroy suit is actually only briefly described in the novel, it was widely marketed to early readers, and this paper contends that it became a straw man read in contrast to teleological conceptions of U.S. identity which venerated constructions of rugged, rebellious male adolescence as evidence of America’s rightful place at the pinnacle of social evolution. The paper concludes that the drama of Little Lord Fauntleroy ’s reception history suggests that the enormous cultural capital of the figure of the child stems from the way in which the transience and dependency of childhood exposes it to continual social repurposing under the cover of outwardly timeless essentialism.

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.