Abstract
Trauma theory claims to represent a ‘new mode of reading and of listening’, but its Eurocentric roots lead to the question of whether or not this approach is relevant in postcolonial contexts. This essay makes the case that engaging trauma theory through African literatures is in fact a productive exercise, mostly because of what it does for the former. African social thought, expressed through its writers and critics, allows us to refine and address crucial problems in trauma theory, including questions about the representation of trauma and strategies for trauma healing. African writers' deployment of images such as the railroad, which is closely linked with discourses of trauma and of modernism, illustrates how their works can reframe trauma studies from an African perspective. An appreciation of the continent's traumatogenic contexts, of writers' cultural resources and strategies for speaking to those contexts, and of the intrinsically transformational impulse of the African moral imagination, suggests that African literatures are grounded in the types of imaginative ‘re-membering practice[s]’ that promote recovery and healing from the destructive effects of trauma.
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