Abstract

Synesthesia, as a perceptual phenomenon and concept, has jumped out of the concept of “senses” with the development of human-computer interaction. The Western exploration of audiovisual art has also ushered a qualitative leap. According to the social process, the present study systematically sorted out the historical context of the development of Western audiovisual synesthesia and its art experiments, and paved the way for the follow-up study of audiovisual synesthesia.

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