Abstract
Religious dress is a special kind of dress, which often embodies the thoughts and cultural ideas of a certain religion, but it is also likely to show the deeply cultural deposits of a certain national culture. Taoist clothing is a kind of clothing and accessories with obvious Taoism cultural connotation formed by absorbing, integrating and extending Taoism doctrines on the basis of Chinese traditional dress, which is of great significance to study of Chinese traditional culture and worth in-depth study in further.
Highlights
Religious dress is a special kind of dress, which often embodies the thoughts and cultural ideas of a certain religion, but it is likely to show the deeply cultural deposits of a certain national culture
Taoist clothing is a kind of clothing and accessories with obvious Taoism cultural connotation formed by absorbing, integrating and extending Taoism doctrines on the basis of Chinese traditional dress, which is of great significance to study of Chinese traditional culture
This paper provides a lot of strong evidence for the study of Taoist culture in Taoism dress (Jiang, 1995, pp. 118-121)
Summary
Tian Xiaoying's “Research on the color symbols and aesthetics of Yongcheng”. Through the female immortal clothing color and design symbols of religious aesthetic cognition to emphasize the ideological and cultural connotation of Taoist clothing. “In the color system of Taoism,” she said, “Qing” belongs to Yin, an image of mystery and Yin. The color image of “Qing” conforms to the inner image crystallization of religious experience and aesthetic ideal of Taoism culture, and is the expression of the innate truth and the symbol of eternal road and its own meaning of Taoist goddess dress in accordance with nature and approaching perfection. The color image of “Qing” conforms to the inner image crystallization of religious experience and aesthetic ideal of Taoism culture, and is the expression of the innate truth and the symbol of eternal road and its own meaning of Taoist goddess dress in accordance with nature and approaching perfection This is Taoism’s cultural inheritance of Chinese color design symbols, and a hidden manifestation of national subconscious in religious divinity. It can be seen that there have been some research results on the shape, system and color of Taoist costumes, but those are still a lack of research on the overall structural logic and constructional ethics of Taoist costumes (Tian, 2012, pp. 78-82)
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