Abstract
Capell, Richard. Fantasia or the New Barbarism, Musical Opinion (London), November, 1943. Clifford, Hubert. Film Music, Tempo (London), September, 1944. Cockshott, Gerald. Incidental Music in the Sound Film. London, British Film Institute, 1946, 8 pp. Deutsch, Adolph. Collaboration between the Screen Writer and the Composer, Proceedings of the Writers' Congress. Berkeley and Los Angeles, University of California Press, 1944, pp. 248-250. Eisler, Hanns. Composing for the Films. New York, Oxford University Press, 1947, xi+ 165 pp. A critique of film music as it is composed in Hollywood, and a description of Eisler's own experiments under the aegis of the Rockefeller Foundation.
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