Abstract
Explaining Islamic architecture was a challenge for early modern Spanish historians. Although many of the buildings were highly valued, they nonetheless represented a defeat and 700 years of Muslim presence in the Peninsula. Consequently, the Islamic legacy was sometimes viewed with a wide range of aesthetic, moral and religious prejudices. This paper aims to analyse the role of these unfavourable narratives of Islamic architecture in the negotiation of the memory of the so-called ‘loss of the Iberian Peninsula’.
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