Abstract

A family of Shakespearean characters I call “the perverse literalists” takes the figurative language of their interlocutors in the most literal sense. While they make us laugh, these characters' perversely literal interpretations also highlight the physical and experiential grounds of common figures of speech and prod their interlocutors and the reader into a deeper understanding of the conditions of embodiment. his inventive use of the literal is a trope in its own right, one that has already been useful to cognitive linguists, phenomenologists, and new materialists. Metaphors we consider dead are, as others have suggested, merely sleeping, and the act of waking them up can be not merely funny but profoundly insightful. We should reexamine the widespread aversion to the misuse ofliterallyand think instead about what it can tell us about the physicality of such abstract experiences as love and luck, causality and cognition.

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