Abstract
ABSTRACT As both a therapist and an actor, O’Connell proposes that: 1) The artforms of acting and psychotherapy share the same core goal: to invite another person to embody a range of their humanity; and 2) Both artforms rely on the same core action to realize that goal – to listen. By listening to clients the way actors listen to their scene partners, O’Connell suggests that clinicians can maximize how we use our most essential instrument for therapeutic engagement: ourselves – particularly in terms of our implicit/nonverbal communication, or “subtext.” He emphasizes that listening like an actor is always the key to performing the art of therapy, no matter what “kind” of therapist we are, and no matter how our “scene work” takes place, (e.g. on “stage” or screen). Anecdotes from both therapy and acting are used to illustrate his ideas.
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