Abstract
This present article revisits after thirteen years Theodor-Cristian Popescu’s performance, "Krum". Produced by Târgu Mureș National Theatre, the performance was included that time in National Theatre Festival’s selection, but it’s presence in Bucharest generated a vocal choir contesting its theatrical value. The author of this article was among those objectors. After more than a decade, the performance has for the author of this article a different quality. Its virtues are the subject of this present paper.
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