Abstract
ONE CANNOT WRITE a linguistic theory as such, or at least one would not want to. The analogy of painting by numbers comes to mind: by suggests that the writer or painter is a mere mediator, not originator, that his contribution is only the mechanical execution of a design formed by someone else. Nevertheless we recognize that some of the qualities of original composition can be systematically sought out. We learn to ask ourselves questions about the role or voice we want to assume for
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