Abstract

For specialists as well as for African students, indeed even for the merely curious, Lilyan Kesteloot has been indisputably, among European critics of African literature, one of the most defining figures of the literary life of the black world for the past forty years. Moreover, Africa has not been, for this scholar of Belgian origin, a simple object of study to be examined in the cold light of "science," which, as we furthermore all know, is often the shamefully derelict excuse that is proffered. She chose very early on to burn with passion for Africa . . . . But was it truly a choice? Rather, it might be said that Africa was imposed on her through force of circumstance; her fate has been linked to it; she settled in; she lives and she works there; Africa is very much a part of her.

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