İlişkisel Bir “Dünya” Olarak Sanat ve Nesnenin Yeni Estetik Deneyimde Bozulumu

Abstract

The position of art in its juxtaposition of progress and development can be historically brought back to the position of its object in the context of its ideological and iconological discussion. The distortion of the art object in the aesthetic experience is not about the subject, but about the expectation that the art object establishes the art world among different forms of evaluation as the object of an evaluation act. The jurisdiction of criticism cannot be put forward at this point, and cannot be talked about, as a result of its relevance to its ontological and epistemological bases. With all its experienced actors, the world of art is not a world of aesthetic experience with appreciation. In this study, how the object of art is distorted in aesthetic experience in the new art world created by the relevance of art will be handled from the perspective of Shusterman.