Abstract

The relationship between liking and stimulus complexity is commonly reported to follow an inverted U-curve. However, large individual differences among complexity preferences of participants have frequently been observed since the earliest studies on the topic. The common use of across-participant analysis methods that ignore these large individual differences in aesthetic preferences gives an impression of high agreement between individuals. In this study, we collected ratings of liking and perceived complexity from 30 participants for a set of digitally generated grayscale images. In addition, we calculated an objective measure of complexity for each image. Our results reveal that the inverted U-curve relationship between liking and stimulus complexity comes about as the combination of different individual liking functions. Specifically, after automatically clustering the participants based on their liking ratings, we determined that one group of participants in our sample had increasingly lower liking ratings for increasingly more complex stimuli, while a second group of participants had increasingly higher liking ratings for increasingly more complex stimuli. Based on our findings, we call for a focus on the individual differences in aesthetic preferences, adoption of alternative analysis methods that would account for these differences and a re-evaluation of established rules of human aesthetic preferences.

Highlights

  • The relationship between the complexity of a stimulus and its perceived beauty has been a topic of great interest with influential studies since the earlier experimental investigations of aesthetics

  • Besides studying the preference differences on an individual level, we suggest that identifying subgroups of participants with similar preferences and characterizing these subgroups can result in much progress in experimental aesthetics

  • In this study, adopting an exploratory and assumptionfree approach rather than a hypothesis driven one, we aimed to demonstrate the existence of differences in complexity preferences of people, and argue against a universal rule of inverted U-curve for explaining the complexity-liking relationship

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Summary

Introduction

The relationship between the complexity of a stimulus and its perceived beauty has been a topic of great interest with influential studies since the earlier experimental investigations of aesthetics. Berlyne (1971) suggested that the relationship between complexity and pleasingness could be explained by an inverted U-curve, where the stimuli with intermediate levels of complexity are the most preferable ones. This concept of an optimal amount of stimulus complexity has been supported by numerous studies that found an inverted U-curve when characterizing aesthetic preference as a function of complexity (Vitz, 1966; Berlyne, 1971; Saklofske, 1975; Farley and Weinstock, 1980; Imamoglu, 2000). Berlyne’s theory has been influential in the field of experimental aesthetics (Silvia, 2005), Nadal et al (2010) point out some discrepancies among the results of previous studies investigating the relationship between liking and complexity. Nadal et al (2010) illustrate that studies utilizing a systematic manipulation of the degree of stimulus complexity resulted not always in an inverted U-shaped characterization of aesthetic preference as a function of complexity, but sometimes increasing, decreasing or U-shaped characterizations of the relationship. Nadal et al (2010) suggested that the results vary since different studies manipulated different complexity dimensions, and different complexity dimensions have different

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