Abstract

AbstractContemporary Arab feminist writers such as Margot Badran and Mona Eltahawy describe their personal discovery of Arab “pioneers.” This label positions “pioneers” as exceptional figures, which untethers their legacy from contemporary Arab feminists, and from one another. Drawing on the Warwick Research Collective's concept of “combined and uneven development,” this essay rethinks how we understand the first wave to account for the feminist histories in al-mashreq, and therefore reimagines the feminist wave model to account for waves of transmission, of emotion such as inspiration drawn from solidarity with other women. Through analysis of Anglophone scholarship and biographies, translated autobiographical writings of “pioneers,” and analysis of L'Egyptienne magazine, this article offers a new way of framing the work of “pioneer” feminists as part of a wide network of collaborators, and a wave of feminist activism that is locally and globally imbricated. This paper examines women's journals and salons which contribute to a period of “invisible feminism” from 1860 to the early 1920s. The endeavors of three “pioneer” figures, Huda Sha'rawi (Egypt, 1879–1947), Anbara Salam Khalidi (Lebanon, 1897–1986), and May Ziadeh (Palestine/Lebanon, 1886–1941) are then discussed through the lens of their influential friendships with other women.

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