Abstract

The link between chromatic constancy (compensation for hue and saturation shifts) and lightness constancy (compensation for a change in surface reflectance) was tested theoretically by computing cone contrasts and by asymmetric matching experiments. The effect of a thin achromatic line (a frame) around the test sample was tested empirically. When the samples were outlined by the frame, lightness constancy was increased and chromatic constancy reduced (p<0.001). Changes in luminance are more likely to be compensated when the luminance contrast edge around the test stimulus is disturbed as with the addition of an achromatic frame.

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