Light in Captivity: Spectacular Glass and Soviet Power in the 1920s and 1930s

Abstract

Exploiting what Jean Starobinski has called the “solar myth” of the revolution, the Soviet regime used the visual power of light within glass to create an exalted vision of Russia's transformation. This article explores the symbolism and the spectacular use of the light bulb (as a material and a discursive entity) in the early Soviet period. Julia Bekman Chadaga traces how the light bulb became an ideological icon and then investigates its treatment in Soviet popular culture and in literary works by Mikhail Zoshchenko, Andrei Platonov, and Iurii Olesha. The Kremlin stars are examined as a monumental manifestation of the Soviet light bulb and a case study illustrating the state's appropriation of religious imagery. While official discourse around the Kremlin stars and “Lenin's little lamps” invokes the conquest of unruly nature and the attainment of divine power via technology produced by the triumphant socialist state, the literary works examined here destabilize the fixed symbolic meaning of captive light.