Abstract
The article examines the role of light and color as visual expressive means of modern documentaries. The author shows that without violating the principles of honest film observation, documentary filmmakers have a number of opportunities for building the light and color palette of the screen work as part of the overall dramaturgy of the film. The article discusses the role of light and color on the example of three modern documentaries: “The Boy” by Vitaly Akimov, “Gunda” by Viktor Kosakovsky and “Haulout” by Maxim and Evgenia Arbugaev.
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Schedule a callMore From: Izvestia Ural Federal University Journal Series 1. Issues in Education, Science and Culture
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