Abstract
In Soviet philosophy, two versions of Lenin’s theory of reflection are represented respectively by Mikhail Lifshits and Todor Pavlov. They both isolate and juxtapose two dialectical elements: reflection and creativity. Within this methodological dilemma, Lifshits’s ontognoseology is an original doctrine of our “mirror” attitude to the world whereby material being is the true subject, while man is a tool of its self-reflection.
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