Abstract
The following remarks continue the review/overview of scholarship on Byzantine art history initiated in the preceding volume of this journal. The author stresses, once again, that her remarks are idiosyncratic, and that this review/overview makes no claims to be exhaustive. The omission of any article or book from the overview usually reflects either her own ignorance or her inability to get hold of it; in particular, offprints — especially from the less well-distributed journals — would facilitate inclusion in subsequent issues. Both the author and the editor reiterate their earlier appeals for criticism and advice on the form and content of the survey, especially as a different approach has been followed in this year’s article.
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