Abstract

While the poets of the Augustan age described herdsmen and farmers indulging in fluteplaying, singing and lovemaking, paintings from the same period give a different picture. When the inhabitants of the so-called sacred landscapes are not working, they are worshipping in rustic sanctuaries. This is characterstic of many Roman representations of country life down to late Antiquity. Though they may occasionally play a tune to their animals, the inhabitants of the countryside are mostly seen engaged in serious work. Theirs is not the joy of a careless existence, but rather the quiet happiness of those who have fulfilled their duties and respected the mos maiorum.

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