Abstract

The French writer and jornalist Jean Mauclere (1887–1951), who developed an interest in Lithuania in his youth, visited Lirhuania twice, and devoted much of his writing to it. His interest in Lithuania bloomed into books on history and literature, transcripts of folktales, travel books, a number of articles in French media. They received positive critical reception in France at time. The article discusses the image of Lithuania in Jean Mauclereʾs travel books Sous le ciel pâle de Lithuanie (Paris, Plon-Nourrit, 1926) and Gens et routes de Lithuanie (Paris, A. Redier, Librairie de la Revue francaise, 1931). As the narrator travels through Lithuania, he meets politicians, public figures, writers, artists and so-called common people. He discusses the economic (industry, agriculture) and cultural (education, literature, art) developments in Lithuania, reflects on Lithuaniaʾs landscape, the physical type of its resident, and the features of the Lithuanian language. The narrator notes the regional differences; he not only focuses on the nation at large, but also considers national minorities. The narrative on Lithuania, wchich at the time was undergoing the process of modernization, captures the images of the past, legends, the continuous relationship between past and present. The narrator offers an absorbing parallel between the two most important Lithuanian cities of Kaunas and Vilnius. The narrator of travel books, an educated writer and journalist, representative of Western Europe, reflects on Lithuania in a favourable and optimistic manner. He emphasizes the European character of Lithuania, its modernity, dwells on its exotic nature. The narrator suggests that the latter feature defines Lithuania’s authenticity among other Wester European states. The analysis of the image of Lithuania in Mauclere’s travel books draws on the premises of comparativist imagology (Yves Clavaron, Jean-Marc Moura, Daniel Henry Pageux, Pierre Rajotte etc.).

Highlights

  • who developed an interest in Lithuania in his youth

  • much of his writing to it. His interest in Lithuania bloomed into books on history and literature

  • The article discusses the image of Lithuania in Jean Mauclères travel books Sous le ciel pâle de Lithuanie

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Summary

Teorinės prielaidos

Teorinis mūsų tyrimo pagrindas – komparatyvistinė imagologija ir jos kūrėjų Jeano-Marco Moura, Yves’o Clavarono, Danielio-Henry Pageaux ir kitų autorių pasiūlyti terminai, sąvokos, įžvalgos. Be pamatinės įvaizdžio (l’image) sąvokos, mums svarbus Pageaux suformuluotas trejopas santykis su stebima ir vertinama kita (kitokia, svetima) tikrove (objektu): 1. Fobija (la phobie), kai svetima kultūra priimama kaip menkesnė, 3. Filija (la philie), kai abi tikrovės (kultūros) traktuojamos kaip lygiavertės. Prie šių sąvokų šliejasi idiokrazija (l’idiocrasie), arba individualus, atskiras, tik stebinčiam ir vertinančiam subjektui būdingas požiūris (Pageaux 1994, 71–73). Kelionių knygose išskleidžiamos kitos tikrovės savitumui suvokti yra pravartus socialinės vaizduotės (l’imaginaire social) konceptas, veikiantis kaip istorinis imagologijos pagrindas, kuriame bet kokios reprezentacijos, taip pat – ir literatūrinė, traktuojamos kaip lygiavertės (Moura 1998, 46). Folkloristas (le folkloriste) kitoje šalyje domisi svetima, dažnai – egzotiška kultūra, kolekcionuoja jos apraiškas, taip ją objektyvizuodamas. Ir tik egzotas (l’exote) dėmesingai ir pagarbiai stebi kitoniškumą (svetimumą), kurio apraiškas stengiasi išsaugoti ir tiksliai perteikti (Moura 1992, 10)

Istorinis požiūris
Lietuvos įvaizdis Mauclère’o knygose
Full Text
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