Abstract

Abstract This article explores the depiction of letters, epigraphs, and other texts in Iamblichus’ fragmentary Babyloniaka, primarily preserved by the ninth-century writer Photius in his Bibliotheca, and argues that they act as evidence for the novel’s own cultural and literary positioning. These texts, while superficially unconventional in their form and mode of transmission, in practice reiterate traditional anxieties about written texts found throughout Greek literary history. As such, this paper argues that these embedded texts act as mirrors to the novel’s own framing as a self-proclaimed Babylonian fiction constructed through imperial Greek linguistic and literary models. By considering the hitherto neglected depictions of letters and other texts within Photius’ summary of the Babyloniaka, this approach sheds new light on the literary allusivity and cultural framing of the now-lost novel and its later reception.

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