Abstract
This exhibit review considers three separate exhibitions that were part of Pacific Standard Time: LA/LA (Los Angeles/Latin America) for how their simultaneous showcase of works by Letícia Parente (Brazil, 1930–1991) effectively revealed multiple layers of meaning in her work, while acting as a through line between exhibitions.
Highlights
Exhibition schedule: Video Art in Latin America, LAXART, September 7–December 17, 2017
About the Author Paulina Pardo Gaviria joined the history of art and architecture PhD program at the University of Pittsburgh in fall 2014 to specialize in art from Latin America
Her research examines the production of non–medium specific works as developed in the Americas during the 1960s–1980s, interrogating how interdisciplinary visual strategies have redefined the art object
Summary
Exhibition schedule: Video Art in Latin America, LAXART, September 7–December 17, 2017. About the Author Paulina Pardo Gaviria joined the history of art and architecture PhD program at the University of Pittsburgh in fall 2014 to specialize in art from Latin America. Her research examines the production of non–medium specific works (video, installation, Xerox- and mail-art) as developed in the Americas during the 1960s–1980s, interrogating how interdisciplinary visual strategies have redefined the art object.
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