Abstract

The urban sound environment is one of the layers that characterizes a city, and several methodologies are used for its assessment, including the soundwalk approach. However, this approach has been tested mainly with adults. In the work presented here, the aim is to investigate a soundwalk methodology for children, analyzing the sound environment of five different sites of Gothenburg, Sweden, from children’s view-point, giving them the opportunity to take action as an active part of society. Both individual assessment of the sound environment and acoustic data were collected. The findings suggested that among significant results, children tended to rank the sound environment as slightly better when lower levels of background noise were present (). Moreover, traffic dominance ratings appeared as the best predictor among the studied sound sources: when traffic dominated as a sound source, the children rated the sound environment as less good. Additionally, traffic volume appeared as a plausible predictor for sound environment quality judgments, since the higher the traffic volume, the lower the quality of the sound environment. The incorporation of children into urban sound environment research may be able to generate new results in terms of children’s understanding of their sound environment. Moreover, sound environment policies can be developed from and for children.

Highlights

  • Urban space users are shaping the environment; they are active users

  • Range (IQR) values reflected a greater agreement among the children on the sound environment quality (Q1) than on the appropriateness (Q3)

  • The resulting mean values showed that the children in general rated the sound environment appropriateness to the site (Q3) higher than its sound quality (Q1)

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Summary

Introduction

Urban space users are shaping the environment; they are active users. In this framework, listening is not a passive sense, and the study of urban sound environment requires integration within the holistic analysis of the urban planning process, leading to an “urban sound planning” approach [1]as part of the multi-sensorial approach to the urban experience. In the urban space configuration, where space influences human experience and behavior [2], the analysis goes beyond noise control; field studies involving active listening, i.e., that the listener is looking for empathy and understanding [3], concentrated on interpreting what is happening in the surroundings using a series of acquired tools, become an essential part to evaluate the sound environment and understand how it is perceived. In this type of active listening, children are normally excluded; they are often considered as a group at risk [4] in terms of noise exposure.

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