Abstract
After some theorical remarks, the blending of popular motifs with the themes of a pseudo-bourgeois model about "l'amour fou", is analysed from various points of view (characters, time and structure, themes and places). Then, the article deals with the interweaving of new elements into the narrative (cinema, songs from hispanic countriesradio-broadcasted novéis, surrealistic héroes), through the mixing of blood and genres, might not the author be claiming thereby his own half-cast nature in a novel about cross breeding ?
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