Abstract

Simple SummaryLeonardo da Vinci was an outstanding artist of the Renaissance. He depicted numerous masterpieces and was also interested in human and animal anatomy. We focused on the anatomical drawings illustrating different parts of bear and horse bodies. Regarding Leonardo’s “bear foot” series, the drawings have previously been described as depicting a bear’s left pelvic limb; however, based on the anatomy of the tarsus and the digit (finger) arrangement, they show the right posterior limb. In addition, an unreported rough sketch of a dog/wolf antebrachium (forearm) has been identified and reported in detail in one of the drawings of the “bear’s foot” series. After a detailed anatomical analysis, the drawing “The viscera of a horse” has more similarities to a canine anatomy than to a horse anatomy, suggesting that it shows a dog’s trunk. Besides, the anatomies of the drawings depicting the horse pelvic limb and the human leg were analyzed from the unprecedented point of view of movement production.Leonardo da Vinci was one of the most influencing personalities of his time, the perfect representation of the ideal Renaissance man, an expert painter, engineer and anatomist. Regarding Leonardo’s anatomical drawings, apart from human anatomy, he also depicted some animal species. This comparative study focused only on two species: Bears and horses. He produced some anatomical drawings to illustrate the dissection of “a bear’s foot” (Royal Collection Trust), previously described as “the left leg and foot of a bear”, but considering some anatomical details, we concluded that they depict the bear’s right pelvic limb. This misconception was due to the assumption that the bear’s digit I (1st toe) was the largest one, as in humans. We also analyzed a rough sketch (not previously reported), on the same page, and we concluded that it depicts the left antebrachium (forearm) and manus (hand) of a dog/wolf. Regarding Leonardo’s drawing representing the horse anatomy “The viscera of a horse”, the blood vessel arrangement and other anatomical structures are not consistent with the structure of the horse, but are more in accordance with the anatomy of a dog. In addition, other drawings comparing the anatomy of human leg muscles to that of horse pelvic limbs were also discussed in motion.

Highlights

  • Leonardo da Vinci was one of the most important renaissance personalities of his time, and the fifth centenary of his death will be commemorated in 2019

  • To the best of our knowledge, we support that the bear’s foot depicted by Leonardo corresponds to the right hind limb instead of the left one, as previously reported by O’Malley and Saunders [6] and Clayton and Philo [9] as well as at its description at the Royal Collection Trust website [3], maybe in resemblance to humans

  • Ludovico Sforza was overthrown, and soon afterwards, Leonardo left the city and returned to Florence” [10]. This text refers to the drawing RCIN 919097-recto, entitled ‘The viscera of a horse’ (1490–1492; Figure 6), and described at the Royal Collection Trust [3] as: “an anterior view of the arteries, veins and the genito-urinary system of an animal, probably a horse,” implying that Leonardo did not name this returned to Florence” [10]

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Summary

Introduction

Leonardo da Vinci was one of the most important renaissance personalities of his time, and the fifth centenary of his death will be commemorated in 2019. The description of the same drawing at the Royal Collection Trust website [3] states “this drawing shows with some accuracy the bones, muscles and tendons of a bear’s lower leg and foot, with the big toe, claw raised, away from the viewer”. To the best of our knowledge, we support that the bear’s foot depicted by Leonardo corresponds to the right hind limb instead of the left one, as previously reported by O’Malley and Saunders [6] and Clayton and Philo [9] as well as at its description at the Royal Collection Trust website [3], maybe in resemblance to humans.

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Bear’s foot Collection series—Number
The viscera of aofhorse?
More on the Comparative Anatomy of Humans and Horses
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Conclusions
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