Abstract
Abstract The distinction between modernism and the avant-garde needs to be maintained: while modernism seeks the new in art, the avant-garde seeks the negation of art in parallel with social revolution. And while the relationship between revolutionary politics and revolutionary art is not reciprocal, they share a temporality precisely inasmuch as the avant-garde is dependent upon social revolution in order to bring about the circumstances in which art and life can both be transformed. This article looks at the formation of Dada in its proximity to social revolution and the parallel processes of withdrawal and negation they share.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
