Abstract

Reading and writing are very frequent in Louise Doutreligne’s dramatic universe, both in plays where the action is developed in a near spatial and temporal frame and also in those which are far away in time and space. The ways where reading and writing appear on the stage are various and concern particularly to the voices and to the treatment of the character who reads or writes. Moreover those actions may lead to a change in the space and temporal axes of the dramatic universe or even divide it in two different parts, one of them as a frame and the other as framed. Reading and writing are then foundations of Louise Doutreligne’s dramatic universe.

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