Abstract

In this paper we describe two artworks, Recognition, an outdoor interactive installation and Instrumental a live dance performance. In both works a performing agent has learnt sequences of movement from a dancer and uses these to stand in for a human performer. The agent uses an Artificial Neural Network to learn to dance from the human dancer and can perform in the human's stead. In Recognition the agent's movement is used when there are no humans present in order to keep continuity of the installation. In Instrumental the agent becomes a performing partner of a live human dancer, able to recognize the dancers movement and synthesize movement sequences based on the human dancer's movements.

Highlights

  • In this paper we introduce two artworks, Recognition and Instrumental

  • Instrumental is a performance between a dancer and performing agent performed at Motion.lab in Melbourne, Australia

  • As the exhibition ran through the night, there were often times when there were no pedestrians around from which to gather movement information, there was still a lot of vehicular traffic passing the gallery, which was located on a major road

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Summary

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ABSTRACT - In this paper we describe two artworks, Recognition, an outdoor interactive installation and Instrumental a live dance performance. In both works a performing agent has learnt sequences of movement from a dancer and uses these to stand in for a human performer. The agent uses an Artificial Neural Network to learn to dance from the human dancer and can perform in the human’s stead. In Instrumental the agent becomes a performing partner of a live human dancer, able to recognize the dancers movement and synthesize movement sequences based on the human dancer’s movements. General Terms - Performance, Experimentation, Human Factors. Keywords - Performing Software Agent, Machine Learning, Electronic Art, Interactive Installation

INTRODUCTION
RELATED WORK
RECOGNITION DESIGN
INSTRUMENTAL DESIGN
Artificial Neural Network
RECOGNITION VISUALS AND SOUND
Clothing the Avatar
INSTRUMENTAL VISUALS AND SOUND
CONCLUSION

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