Abstract
Of all the fashion designers to have emerged in Russia in recent years, few are more remarkable than Gosha Rubchinskiy. He first made his name as a fashion photographer and designer of street wear, before being signed up by Adrian Joffe at Comme des Garçons in 2012. One of the most interesting aspects of Rubchinskiy’s work is his video output. Rubchinskiy’s unique brand of moving image completely “transfigures” the fashion film, raising important questions about the role and status of the fashion designer, the limits of the fashion film, the workings of the fashion system, the role of the catwalk, and indeed the nature of fashion itself. These questions are the focus of this article, which discusses three of Rubchinskiy’s films in particular, namely Transfiguration, The Casting of Alexey and The Day of My Death.
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