Abstract

ABSTRACTLead white is widely used as a white pigment in the history of Persian painting. This paper focuses on three Persian treatises dated between the twelfth and the sixteenth century, which explained different manufacturing methods of lead white or sefidāb-i-sorb. Experimental reconstruction of each recipe to access the comprehensive meaning of the text and analytical studies with X-ray powder diffraction on products of recipes revealed white compounds other than the previously known products of hydrocerussite (Pb(OH)2 · PbCO3) and cerussite (PbCO3) in samples. Chlorine-containing raw materials mentioned in these recipes lead to the chemical products of laurionite (Pb(OH)Cl), blixite (Pb8O5(OH)2Cl4), and phosgenite (Pb2Cl2(CO)3) in the final products. These data lead to the hypothesis of the discrepancy of the lead white pigment between Iran and Europe and a marked probability of other compounds in historic Persian lead white samples.

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