Abstract

EnglishThe novel, in vogue from the beginning of the 19th century, represents a specific literary genre, situated between fiction and (historical) reality. This paper examines the possibilities of this genre through the theory of fictional worlds. The fictional narrative, including the novel, already differs from the factual narrative in that it is the fruit of the invention of the writer and its relation to reality is thus specific. Fiction, obviously, is not just an imitation of reality and mimetic theories cannot sufficiently explain the nature of the fictional referent. The theory of fictional worlds, which supposes the existence of a specific universe generated by the text of the novel, offers a more appropriate concept for analysing and explaining fictional narratives. However, the conception of this theory based on a strict separation of fictional worlds and reality is not applicable to novels, for at least two reasons. First, novels are read as representations of history by their readers. Second, novels refer constantly to an extratextual reality, as demonstrated by the differences between the characters and the purely invented characters. It is therefore possible to consider novels as a special type of fictional world. They refer to, but do not depend on, reality and can thus contribute to the creation of historical myths. francaisLe roman historique, en vogue des le debut du XIXe siecle, represente un genre litteraire specifique, situe entre la fiction et la realite (historique). Cet article examine les possibilites d’analyse de ce genre a travers la theorie des mondes fictionnels. Le recit fictionnel, y compris le roman historique se distingue du recit factuel, se distingue tout d’abord par le fait qu’il est le fruit de l’invention de l’ecrivain et son rapport a la realite est ainsi specifique. La fiction, de toute evidence, n’est pas uniquement une imitation de la realite et les theories mimetiques ne suffisent pas a expliquer la nature du referent fictionnel. La theorie des mondes fictionnels, qui suppose l’existence d’un univers specifique engendre par le texte du roman, propose un concept plus approprie pour analyser et expliquer les recits fictionnels. Toutefois, la conception de cette theorie fondee sur une separation stricte des mondes fictionnels et de la realite n’est pas applicable pour les romans historiques, au moins pour deux raisons. D’abord, les romans historiques sont percus comme des representations de l’histoire par les lecteurs. Ensuite, les romans historiques ne cessent de renvoyer a une realite extratextuelle, comme le demontrent les differences entre les personnages historiques et les personnages purement inventes. Il est donc possible de considerer les romans historiques comme un type special a l’interieur des mondes fictionnels. Ils renvoient a la realite historique sans dependre d’elle, et ils peuvent ainsi contribuer a la creation des « mythes historiques »

Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call